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Eric Marrian. Study No. 20 from the Carre Blanc series, 2006

Eric Marrian. Study No. 20 from the Carre Blanc series, 2006

Eric Marrian should be classified as a formalist: his experiments with the body are experiments with form. Trained as an architect, Marrian seems to be making his photographs with the help of a ruler and a pair of compasses. He inscribes his model in an oval or shapes a triangle. He skillfully operates with space,...
Eric Marrian. Study No. 32 from the Carre Blanc series, 2006

Eric Marrian. Study No. 32 from the Carre Blanc series, 2006

Eric Marrian should be classified as a formalist: his experiments with the body are experiments with form. Trained as an architect, Marrian seems to be making his photographs with the help of a ruler and a pair of compasses. He inscribes his model in an oval or shapes a triangle. He skillfully operates with space,...
Eric Marrian. Study No. 19 from the Carre Blanc series, 2006

Eric Marrian. Study No. 19 from the Carre Blanc series, 2006

Eric Marrian should be classified as a formalist: his experiments with the body are experiments with form. Trained as an architect, Marrian seems to be making his photographs with the help of a ruler and a pair of compasses. He inscribes his model in an oval or shapes a triangle. He skillfully operates with space,...
Eric Marrian. Study No. 17 from the Carre Blanc series, 2006

Eric Marrian. Study No. 17 from the Carre Blanc series, 2006

Eric Marrian should be classified as a formalist: his experiments with the body are experiments with form. Trained as an architect, Marrian seems to be making his photographs with the help of a ruler and a pair of compasses. He inscribes his model in an oval or shapes a triangle. He skillfully operates with space,...
Eric Marrian. Study No. 2 from the Carre Blanc series, 2006

Eric Marrian. Study No. 2 from the Carre Blanc series, 2006

Eric Marrian should be classified as a formalist: his experiments with the body are experiments with form. Trained as an architect, Marrian seems to be making his photographs with the help of a ruler and a pair of compasses. He inscribes his model in an oval or shapes a triangle. He skillfully operates with space,...
Eric Marrian. Study No. 33 from the Carre Blanc series, 2006

Eric Marrian. Study No. 33 from the Carre Blanc series, 2006

  Eric Marrian should be classified as a formalist: his experiments with the body are experiments with form. Trained as an architect, Marrian seems to be making his photographs with the help of a ruler and a pair of compasses. He inscribes his model in an oval or shapes a triangle. He skillfully operates with...
Dobrov Matvey. Calling the Summer Herd. 1935

Dobrov Matvey. Calling the Summer Herd. 1935

  Matvey Dobrov received excellent training in arts, with K. Yuon, A. Arkhipov and A. Stepanov among his teachers. In 1908-9 he studied etching at E. Kruglikova’s school in Paris. Later he himself taught etching techniques at the Moscow Fine Arts Institute and the Surikov State Institute of Arts from 1930 to 1950.   Artist:...
Aminadav Kanevsky. Gas Station. 1920s

Aminadav Kanevsky. Gas Station. 1920s

The watercolor on offer is one of the earliest and rare easel works by Aminadav Kanevsky. Done when the artist was still studying at VKhUTEMAS  (VKhUTEIN), the piece obviously bears evidence of a sharp eye and a sure hand of the future master illustrator and cartoonist. A view tinged with irony and attention to detail...
Alexei Kamensky. Bird in the City. 1978

Alexei Kamensky. Bird in the City. 1978

For more than 50 years now Alexei Kamensky has actively been doing pastels. Used initially in preparatory sketches for paintings, pastels soon occupied a special place among Kamensky’s works. His pastels have striking density and deepness of color. Starting with an impression from nature, Kamensky immerses himself in the process and then follows the logic...
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